Essay of architecture

Adopting isometric and perspectival drawing techniques used by the Suprematists to achieve strangely irrational spaces that did not add up to Renaissance wholes, she entered an exploratory realm where she developed forms distorted and warped in the throes of Einsteinian space. Hadid transformed traditional drawing conventions, sometimes grafting several techniques and viewpoints together in the same multi-dimensional tableau. She often layered drawings done on sheets of transparent acrylic, creating visual narratives showing several spatial strata simultaneously. Applying Suprematist painting approaches to reconceive architecture, she developed an aesthetic that seemed to challenge the inertia of material reality, with dynamic forms subject to visual acceleration and a sense of take-off. Just as the entasis of a classical column connotes the feeling of weight carried by the shaft, Hadid’s forms were ideated: she shaped forms to cultivate a perception of speed communicated by the eye to the body. Concept translated to experience: the shapes conveyed a sense of physical thrill as the body empathized with form ...

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The most important areas of Greek achievement were math and science. They achieved all kinds of things in the areas of psychology, astronomy, geometry, biology, physics, and medicine. In astronomy they formulated the ideas that the sun was 300 times larger than the earth, the universe was composed of atoms, and they calculated the true size of the earth. Someone greatly involved in astronomy was Aristotle. In geometry, ancient Greeks found the value of pi, and a man named Euclid, who wrote the book Elements around 300 ., theorized that if two straight lines cut one another, the vertical, or opposite, angles shall be equal. In physics, the lever and pulley was invented along with a force pump which eventually evolved into a steam engine. Important people in this area were Archimedes and Pythagoras who were two of the many influential Greek citizens. Ancient Greece has definitely made many influential contributions to western civilization.

Lastly, there was the ubiquitous, long forgotten, corrugated iron roof vernacular of the Australian outback to which Murcutt turned immediately after his world tour to create the louvered Maria Short farmhouse at Crescent Head, overlooking the Maria River in 1974, his second house for the Short family in less than two years. In this canonical piece, he succeeded in combining the Semperian primitive hut of 1852 with the tectonic refinement of Mies’ Farnsworth House, along with a vertebrae approach to basic structural frame taken from Prouvé’s Maison Tropicale. It is just this somewhat unlikely conjunction that inaugurated a spectacular series of light-weight, single-storey houses, elevated clear of the ground, framed in either timber or steel, or in a mixture of both and invariably roofed and/or clad in corrugated metal. It is important to note that the linear room arrangement and the shallow depth derived from the need to maximize cross-ventilation for every room while simultaneously deploying the roof overhang and the back of the house, facing south, in such a way as to eclipse the noonday high summer sun and to admit at the same time in winter. Over the next fifteen years, he would build well over thirty houses in this unique “outback” manner, ringing the changes on every conceivable frame, truss, louver, vent, gutter, down-pipe, and roof profile, varying from mono- to double-pitch, to arcuated form before arriving at the metal-roofed but otherwise totally timber-clad, Marika-Alderton House, completed in East Arnheim Land in 1994 ...

Essay of architecture

essay of architecture

Lastly, there was the ubiquitous, long forgotten, corrugated iron roof vernacular of the Australian outback to which Murcutt turned immediately after his world tour to create the louvered Maria Short farmhouse at Crescent Head, overlooking the Maria River in 1974, his second house for the Short family in less than two years. In this canonical piece, he succeeded in combining the Semperian primitive hut of 1852 with the tectonic refinement of Mies’ Farnsworth House, along with a vertebrae approach to basic structural frame taken from Prouvé’s Maison Tropicale. It is just this somewhat unlikely conjunction that inaugurated a spectacular series of light-weight, single-storey houses, elevated clear of the ground, framed in either timber or steel, or in a mixture of both and invariably roofed and/or clad in corrugated metal. It is important to note that the linear room arrangement and the shallow depth derived from the need to maximize cross-ventilation for every room while simultaneously deploying the roof overhang and the back of the house, facing south, in such a way as to eclipse the noonday high summer sun and to admit at the same time in winter. Over the next fifteen years, he would build well over thirty houses in this unique “outback” manner, ringing the changes on every conceivable frame, truss, louver, vent, gutter, down-pipe, and roof profile, varying from mono- to double-pitch, to arcuated form before arriving at the metal-roofed but otherwise totally timber-clad, Marika-Alderton House, completed in East Arnheim Land in 1994 ...

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